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Susan Hoyle's avatar

Perhaps to keep me from dwelling on the extreme nastiness of this chapter, I found myself drawn to how Hilary describes Camille, and how she keeps us if not precisely on his side (where no-one of good sense would want to be, surely?), but at least wanting to hear from him again, see him again. He brightens the room. There’s the “Here comes hell” passage that Simon quotes at the start of his piece today—I don’t suppose Lucile actually said this (in French, I mean), but it’s so like her, and we know what she means. To be clear, I’m very far from being a romantic, and Camille is really not my type, but I know what Lucile means and I, we, know why she went for it, for him, the whole exciting and silly mess. I also like Danton picking up on Robespierre’s recommendation of Camille to do the government’s PR. Danton agrees: “Camille is good at versions.” Camille is so good at all sorts of things, except actually being good. (Doesn’t he say as much early on?)

And that extraordinary description of the Sea-Green Incorruptible: “Here Robespierre sat, very new, as if he had been taken out of a box and placed unruffled in a velvet armchair in Danton’s apartment.” It makes me think of a new toy, so precious that the child is not allowed to play with it: R’s honor is so precious, his conscience so tender, that he does not allow himself to do anything. Yet somehow he knows when anything happens, and always either has precise ideas as to what should happen next, or has made himself scarce. While it’s part of their attraction that neither Camille nor Lucile make excuses for themselves, Maximilian doesn’t *need* to make excuses for himself (not yet, anyway): he is careful to do nothing that needs to be excused.

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Elsa Winckler's avatar

I’ve found all the killing hard to read and kept looking for something to lighten the mood. I found it on pg 502 where the ‘cap of liberty’ is mentioned - “Why liberty is thought to require headgear is a mystery.” Made me smile😊 Thanks, Simon!

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